Thursday, 27 October 2011
Conventions of Drama Genre
Narration
So what is a narrator?
Narrators can be used within every different sort of story. Whether that is a story, a television program, piece of theatre or a film. Narrators are the people that effectively tell the story to the audience. If the narrator is a character within the film/play/program he or she is sometimes referred to as the viewpoint character.
When you talk about the narratological inventory applied to film or cinema it is important to realise that lots of other techniques are used as well to convey the story. Its often thought that there is no narrative with out a narrator. This isnt all true in my opinion, other devices must be taken into account of course. Often the absence of a narrator can be compensated greatly by visual narrative- this relates to elements such as camera, sound and editing. Also another imperative element is mise-en-scene.
Without these few key conventions a film would be far less effective. Adding a narrator into the mix normally means that the audience can really delve deeper into the film world, making the film far more accessible.
Its often the case that the narrator will reveal information, this is where dramatic irony could take place or perhaps reveal feelings and emotions of a certain character. Both of these things adds to the audience either empathising or sympathising with characters. Once again drawing them far closer into the film.
Sometimes its the case that narrators aren't there throughout the entirety of films, often they are there at the beginning to set the scene and sometimes appear at the end of close the film.
When you talk about the narratological inventory applied to film or cinema it is important to realise that lots of other techniques are used as well to convey the story. Its often thought that there is no narrative with out a narrator. This isnt all true in my opinion, other devices must be taken into account of course. Often the absence of a narrator can be compensated greatly by visual narrative- this relates to elements such as camera, sound and editing. Also another imperative element is mise-en-scene.
Its often the case that the narrator will reveal information, this is where dramatic irony could take place or perhaps reveal feelings and emotions of a certain character. Both of these things adds to the audience either empathising or sympathising with characters. Once again drawing them far closer into the film.
Sometimes its the case that narrators aren't there throughout the entirety of films, often they are there at the beginning to set the scene and sometimes appear at the end of close the film.
AS Level Essay 1 Textual Analysis (Mrs Brogans assessment)
AN EDUCATION: http://www.youtube.com/watchv=kcDiHaLak1Q&feature=related
NOWHERE BOY: http://www.youtube.com/watch?v=EvL3pwdjy4k&feature=related
I have chosen to textually analyse the two films ‘Nowhere Boy’ and ‘An education’. The two films are under the genre heading of ‘drama’. The genre drama is a genre where more naturalistic states are conveyed, often the story line is incredibly believable. The characters appear to go on a sort of journey, tackling different obstacles in their way. Often these obstacles are that, that one my find in their day to day life. This draws audiences in because it gives them something to relate to.
Its clear in the next scene that the two films set fairly similarly in time, give or take perhaps ten years. Both of the characters settle down to a meal. In ‘nowhere boy’ the room they’re sitting in really shows the time in which it was set. The room resembles what you may find in your grandma’s house, dun coloured walls, patterned plates, candles on the mantle piece. This indicates that John’s guardians are fairly old fashioned and that they might have more old fashioned views. This continues the theme of escapism, as a young boy its clear that John wont feel totally comfortable with the surroundings that he’s in. In ‘an education’ the room that they eat their meal in is extremely similar, once again dull coloured walls ornaments lacking in personality. In both cases I think this shows that the elder residents really care about what other people think, everything has to be by the book, it displays that sort of ‘what will the neighbours think’ viewpoint that people had during that era.
As we’re introduced to the parent guardian characters, its clear that there a similar relationship displayed in both films. In ‘nowhere boy’ the older male, who we find out to be John’s uncle has a much more at ease relationship with his nephew. We find out that the two characters share the same interests- music. This is shown by the uncle handing over a harmonica. Its clear just by this act that those two characters are much closer. When his Aunt walks in there’s a sense of awkwardness, she appears to be believe in far more traditional roles. This is shown by the fact that her hair is up, and she brings the plates of food in, showing that she has been doing the cooking. Therefore demonstrating traditional roles of men and woman during that time. In ‘an education’ parent relationships are also established. Jennys father appears to be more dominant, asking all the questions almost being slightly aggressive, he seems to be the traditional protective father. Jenny’s mother however seems to have submitted herself to this sort of behavior I’m sure she has become acclimatised to it. She seems to want to reveal her individuality a little bit though. This is shown by the clothes she is wearing. In the dinner scene she’s wearing a bright orange, flowery top. This perhaps shows she’s letting her more creative side through. This could also display a sign of the change in eras, also once again perhaps the theme of escapism and wanting to express herself a little bit more. Not only the way in which she dresses shows that there appears to be a change socially in time, the fact that Jennys father talks a lot about Jenny going to university and therefore presumably having a career. It seems that Jennys mother would have most likely been a house wife, and that Jenny, being a girl and having prospects is something that would have only really starting occurring around Jennys generation.
Although both John in ‘nowhere boy’ and Jenny in ‘an education’ are around 16-18 they’re parents or guardians appear to still be protective and almost attempt to wrap them in cotton wool. Once again shows the era, as now a-days we have a far more permissive society and we lose our attachment to parents a lot earlier on. In ‘an education’ we see that Jenny has received some flowers from a male admirer. Both of her parents look over her shoulder trying to ascertain who they are from. Her father has a very negative view about the whole situation, he talks about Jenny being to young to receive such an expensive array of flowers. Once again he addresses this situation in a far more aggressive way, however audiences are aware that he’s just concerned for his daughter. Her mother seems far less worried, she seems to think that it’s a very nice gesture. This shows that Jennys mother is her ally. Similarly in ‘nowhere boy’ as John leaves the house, his aunt shouts out of the window ‘Don’t forget you’re glasses John’. This shows she still has a parental hold over her nephew, even though she knows he’s old enough to look after himself she still wants to mother him. Like Jenny’s father she doesn’t really want him to grow up. Also we have established that Johns uncle is his ally, like Jennys mother is hers. This also creates a kind of gender stereotype. As Johns ally is his uncle, a male of course, and Jenny ally is her mother, a female. This shows how men are different to woman, and also perhaps the fact society at the time is just beginning to come out of a time where men and woman have specific roles.
In the next scene the two characters are seen with their friends. In ‘nowhere boy’ there’s diagetic music playing, Jerry Lee Lewis ‘Wild one’. This reinforces the character of John being a ‘wild one’ and the time. The song is from the era the film is set and is a rock and roll song, which foreshadows Johns later interest in that genre of music. We see John with a friend on a bike, for a few moments he takes his hands of the handlebars. This shows that away from his family home, he is finally allowed to escape. He shrieks and shouts, which shows that he’s expressing himself. This also shows that he has to be far more conservative at home. This also displays his rebellious nature, as a teenager when youre told something isn’t acceptable you’re far more likely to do it. So by him freewheeling through the park with his friends it shows him rebelling ever so slightly to society and his guardians. In ‘An education’ Jenny and her friends are sitting in a cafĂ©, Jenny is smoking. This not only shows the era, but also shows that she is slightly more mature for her age, which contrasts with John in ‘nowhere boy’ who was acting immaturely with his friend. Jenny is discussing literature which reinforces her intelligence, something that her father was almost boasting about earlier. Her way of escaping is through reading and getting absolutely swept up in the story world. Jenny then goes on to talk about after going to university she is going to ‘become French, going to live in Paris and going to smoke and wear black..’ Once again day dreaming to escape the life she lives at the moment. We have established that she has an extremely tradition family, she wants to escape from this and explore and lead an interesting life, different from her parents. This again shows how the times have changed. Previously is society young woman would have done as their mothers did, worn what their mothers would have worn and prepared for a life at home, like their mothers. Jenny doesn’t want this. She’s rebelling against society, however not in so much of a disruptive way like John. The talk of Jenny wearing black, going to Paris and smoking etc foreshadows how her life will be later on in the film.
Although the two characters have shown that they are able to escape ever so slightly. We are reminded again by how old they actually are. In ‘an education’ Jenny bumps into her admirer, she goes over to talk to him. Its clear that she is nervous and doesn’t really know how to respond to anything he is saying to her. He offers to take her to a concert then to supper. Its clear that Jenny seems extremely belittled by this experience, the fact that she has to consult her parents and has never been to supper before. We can tell she is nervous and slightly out of her depth because of how she hesitates and sounds unsure about everything her admirer is saying. When she then consults her father, she is quickly brought down to earth, with him saying no to her. By her father saying no, we are quickly reminded of her age and how her elders have the power to take her dream away. In ‘Nowhere boy’ John decides to flash to one of his piers. Another sign of expressing himself, he gets taken to the head teacher. His freedom is quickly taken away by an elder, which is also what happened in ‘an education’ with Jennys father not allowing her to go to the concert. Johns head teacher talks about him going ‘nowhere’ and john responds with ‘are there genius’ in nowhere’? This is ironic of course because Johns head teacher doesn’t believe that he has any prospects and that he’s not going anywhere, however of course this sets us up for what later happens in the film with John become a musical genius. This contrasts with Jenny, her father tells her that she is a genius however the journey she’s about to embark on, leaves her with nearly ruining her prospects.
NOWHERE BOY: http://www.youtube.com/watch?v=EvL3pwdjy4k&feature=related
I have chosen to textually analyse the two films ‘Nowhere Boy’ and ‘An education’. The two films are under the genre heading of ‘drama’. The genre drama is a genre where more naturalistic states are conveyed, often the story line is incredibly believable. The characters appear to go on a sort of journey, tackling different obstacles in their way. Often these obstacles are that, that one my find in their day to day life. This draws audiences in because it gives them something to relate to.The opening of the scene that I have chosen in ‘an education’ starts with Jenny Millar a sixteen year old school girl listening to music. The music is non-diagetic meaning that the characters within the film are able to hear it. This contrasts with ‘nowhere boy’ where the music is diagetic. In both films its immediately clear the ages of he two main characters because they are both wearing school uniform. In the first few seconds of both films its clear that there’s a sense of wanting to escape ever so slightly. In ‘nowhere boy’ the teenage boy john is running from something, a clear sign of wanting to escape, then is awoken from a dream abruptly by a parent figure. The fact that he has been woken up by a parent figure also shows his age. Similarly in ‘an education’ Jenny is trying to escape the world she lives in by listening to French music, she is rudely awoken from her day dream and the little world she has undoubtedly created inside her head, by her father, again her father is telling her to do school work, another indication of age, like in ‘nowhere boy’. Both of the characters are denied their attempt at escapism by their elders.
In the next scene the two characters are seen with their friends. In ‘nowhere boy’ there’s diagetic music playing, Jerry Lee Lewis ‘Wild one’. This reinforces the character of John being a ‘wild one’ and the time. The song is from the era the film is set and is a rock and roll song, which foreshadows Johns later interest in that genre of music. We see John with a friend on a bike, for a few moments he takes his hands of the handlebars. This shows that away from his family home, he is finally allowed to escape. He shrieks and shouts, which shows that he’s expressing himself. This also shows that he has to be far more conservative at home. This also displays his rebellious nature, as a teenager when youre told something isn’t acceptable you’re far more likely to do it. So by him freewheeling through the park with his friends it shows him rebelling ever so slightly to society and his guardians. In ‘An education’ Jenny and her friends are sitting in a cafĂ©, Jenny is smoking. This not only shows the era, but also shows that she is slightly more mature for her age, which contrasts with John in ‘nowhere boy’ who was acting immaturely with his friend. Jenny is discussing literature which reinforces her intelligence, something that her father was almost boasting about earlier. Her way of escaping is through reading and getting absolutely swept up in the story world. Jenny then goes on to talk about after going to university she is going to ‘become French, going to live in Paris and going to smoke and wear black..’ Once again day dreaming to escape the life she lives at the moment. We have established that she has an extremely tradition family, she wants to escape from this and explore and lead an interesting life, different from her parents. This again shows how the times have changed. Previously is society young woman would have done as their mothers did, worn what their mothers would have worn and prepared for a life at home, like their mothers. Jenny doesn’t want this. She’s rebelling against society, however not in so much of a disruptive way like John. The talk of Jenny wearing black, going to
Although the two characters have shown that they are able to escape ever so slightly. We are reminded again by how old they actually are. In ‘an education’ Jenny bumps into her admirer, she goes over to talk to him. Its clear that she is nervous and doesn’t really know how to respond to anything he is saying to her. He offers to take her to a concert then to supper. Its clear that Jenny seems extremely belittled by this experience, the fact that she has to consult her parents and has never been to supper before. We can tell she is nervous and slightly out of her depth because of how she hesitates and sounds unsure about everything her admirer is saying. When she then consults her father, she is quickly brought down to earth, with him saying no to her. By her father saying no, we are quickly reminded of her age and how her elders have the power to take her dream away. In ‘Nowhere boy’ John decides to flash to one of his piers. Another sign of expressing himself, he gets taken to the head teacher. His freedom is quickly taken away by an elder, which is also what happened in ‘an education’ with Jennys father not allowing her to go to the concert. Johns head teacher talks about him going ‘nowhere’ and john responds with ‘are there genius’ in nowhere’? This is ironic of course because Johns head teacher doesn’t believe that he has any prospects and that he’s not going anywhere, however of course this sets us up for what later happens in the film with John become a musical genius. This contrasts with Jenny, her father tells her that she is a genius however the journey she’s about to embark on, leaves her with nearly ruining her prospects.The two films at first glance are about two completely separate things. However delving deeper its clear that they’re far more similar than first thought. It also displays how within the same genre there are themes that are reoccurring and you cant really escape them. To be successful you just have to recreate these themes in very different ways.
Tuesday, 25 October 2011
We Need To Talk About Kevin
I recently went ventured to cinema city to see the film 'We need to talk about Kevin'. I went purely to watch the film, however found myself looking at everything from a very media-ish point of view. So when i got home i just couldn't resist writing a little bit about it.
There is extremely limited dialogue within the film, this means that audiences can really get inside the characters thoughts, almost with their own take on the situation. This adds to thriller conventions, if audiences begin to relate things with their own situations then it becomes more eerie as it is far closer to home.
I found the film extremely interesting from a media point of view and I think in years to come this film should be used as a tool in media lessons.
Friday, 21 October 2011
The Editing Process- The Hangover
After the completion of the filming, we all agreed that we did very well indeed. We just had to wait to get back to school to begin the editing process. The first lesson back we all watched the different sections of the video. At first glance there were a few apparent problems. Firstly in some of the shots we filmed later into the evening, the lighting had faded dramatically, and the artificial light of Aimee's conservatory wasn't quite enough to support our filming. The second problem was that the shots we filmed outside were very windy, and we couldn't actually hear what Chris was saying.
As a group we sat down and thought about how we could combat these problems. Luckily Aimee and I have had experience in lip syncing. So we thought this would be a perfect opportunity to put our skills into practise. We had to find a time that Chris was free so we could record his voice then lip sync it with the video. Luckily this task was fairly easy, and we all agree that it looks very realistic.
The second problem of the dimmed lighting, was a little bit harder to deal with. We used the editing softwear to try and lighten it. However we didn't realise quite how dark the shots were. Every time we tried to lighten it the shots became incredibly gritty and grainy. We have all learnt now to make sure that we don't run out of lighting when it comes to filming our final film opening.
Despite these two problems there wasn't much else that went wrong. Of course there were some more difficult bits and bobs. After watching back the real Hangover opening sequence we realised that in some cases there was speech over shots of other people. This is something we didn't account for when filming. Luckily we quickly worked out how to unlink images and sounds then overlap them.
It was quickly clear that we were going to produce a piece of work that we were all proud of. As a first attempt we believe we have really tried our best and have learnt all the skills we need for future projects. We're all glad that a few minor things went wrong, because now we can really learn from them.
As a group we sat down and thought about how we could combat these problems. Luckily Aimee and I have had experience in lip syncing. So we thought this would be a perfect opportunity to put our skills into practise. We had to find a time that Chris was free so we could record his voice then lip sync it with the video. Luckily this task was fairly easy, and we all agree that it looks very realistic.
The second problem of the dimmed lighting, was a little bit harder to deal with. We used the editing softwear to try and lighten it. However we didn't realise quite how dark the shots were. Every time we tried to lighten it the shots became incredibly gritty and grainy. We have all learnt now to make sure that we don't run out of lighting when it comes to filming our final film opening.
Despite these two problems there wasn't much else that went wrong. Of course there were some more difficult bits and bobs. After watching back the real Hangover opening sequence we realised that in some cases there was speech over shots of other people. This is something we didn't account for when filming. Luckily we quickly worked out how to unlink images and sounds then overlap them.
It was quickly clear that we were going to produce a piece of work that we were all proud of. As a first attempt we believe we have really tried our best and have learnt all the skills we need for future projects. We're all glad that a few minor things went wrong, because now we can really learn from them.
Wednesday, 12 October 2011
Favourite Film Openings...
Before i could begin thinking about what i wanted to include in my film opening, i thought it might be quite a good idea to look at three of my favourite films and their openings.
1) Atonement.
http://www.youtube.com/watch?v=nqjEXD0T5Lo
I really like the opening two minutes to this film, because of how ambiguous it is. It gives audiences a chance to try and work out what will happen. I think it creates an immediate interaction and draws the audience in.
2) Glorious 39.
http://www.youtube.com/watch?v=FplsAZrpw3khttp://www.youtube.com/watch?v=FplsAZrpw3k
The opening scene of Glorious 39 is absolutely charming. It introduces the characters, but not in enough detail, so it keeps the audience guessing. It also introduces the time period and the setting, which i think are important qualities.
3) Never Let Me Go.
http://www.movie2k.to/Never-Let-me-Go-watch-movie-428431.html
I was really intrigued by the opening of Never Let Me Go, because of how different the opening is from the majority of the film. Also when considering my film opening, i wanted to have a narrator.
1) Atonement.
http://www.youtube.com/watch?v=nqjEXD0T5Lo
I really like the opening two minutes to this film, because of how ambiguous it is. It gives audiences a chance to try and work out what will happen. I think it creates an immediate interaction and draws the audience in.
2) Glorious 39.
http://www.youtube.com/watch?v=FplsAZrpw3khttp://www.youtube.com/watch?v=FplsAZrpw3k
The opening scene of Glorious 39 is absolutely charming. It introduces the characters, but not in enough detail, so it keeps the audience guessing. It also introduces the time period and the setting, which i think are important qualities.
3) Never Let Me Go.
http://www.movie2k.to/Never-Let-me-Go-watch-movie-428431.html
I was really intrigued by the opening of Never Let Me Go, because of how different the opening is from the majority of the film. Also when considering my film opening, i wanted to have a narrator.
Tuesday, 11 October 2011
The Hangover- Filming Task.
As role of director i would over see what the camera operator and the floor manager where doing. Although my role of director was shared i had to ensure that i didnt totally take over.
PLANNING-
My group and I watched the opening of the hangover copious times and wrote down what happened frame from frame. We also drew a quick sketched story board of what each frame showed. This visual aid would make it a lot easier for us to work from.
We all had to organise a day that we were free, as we wanted to get the filming done over a shorter period of time, so that it was less likely for us to muck up the continuity. After agreeing the day, we ensured that we brain stormed many ideas so that when it came to filming we were set to begin immediately.
FILMING-
For the filming we needed 7 actors. My co-director's parents were more than happy to lend a helping hand and agreed to play the part of the parents, a friend who happened to look a lot like the female lead, Darcy Sadd agreed to help, Jordan Giles- the floor manager and Hugh Riseborough the assistant floor manager were also able to help. We had a slight issue finding our male lead. Firstly Tristen Butler an A-level drama student volunteered is services, however unfortunately he cancelled a day before the filming, next James Softely offered to play the part, however a few hours after agreeing, he pulled out. Getting desperate i asked a friend Steven Hadley. He was all set, however ten minutes before the filming started he had to leave for a family matter. As the director i took it apon myself to find an appropriate male lead. Right at the last minute a friend,Chris Fox was able to help. He took on the role with much enthusiasm as he stated 'Its my favourite film ever'.
The most appropriate location that me and other director, Aimee Shingfield could think of, was actually her house. Aimee lives in a large farm house, with access to fields and tracks which would be perfect for the filming.
We decided that it would be a good idea to film the outside scenes first, seeing as the light was going to fade in a matter of hours. Aimees dad drove us to the track on theyre farm and we set up all the equipment. All the outside filming went really well, we had to ensure that the sun was behind us at all times. The only problem we had was that the speach was a little quieter than we expected due to the wind. However this can be fixed.
All of the filming went really well, the actors cooperated in every scene and followed our directions.
The light faded a lot faster than we anticipated and some of the inside scenes were a little darker, but we really couldnt help this.
Watching all the footage back i feel really proud that we were able to complete all the filming in the space of about 2-3. I felt like the entire team worked so well together. We cooperated as a group of people. We all stayed focused on the job in hand and used our skills to the best of our abilities.
Friday, 7 October 2011
Different Camera and Film Shots
EWS (extreme wide shot): This view is so far from the subject that he isnt even visible. More commonly used as an establishing shot.
VWS (very wide shot): The subject is barely visible, but the emphasis is still on placing him in his environment.
WS (wide shot): The subject takes up the full frame, or at least as much as is possible.
MS (mid Shot): Shows some part of the subject in more detail, whilst still giving an impression of the whole subject.
MCU (medium close up): This is half way between MS and CU.
CU (close up): A certain feature or part of the subject takes up the whole frame.
ECU (extreme close up): The ECU gets very close in and shows extreme detail.
Cut in: Shows some other part of the subject in detail.
CA (cut away): A shot of something other than the subject.
Two Shot: A shot of two people, framed like a mid shot.
OSS (over the shoulder shot): Looking from behind a person as the subject.
Noddy Shot: Usually referes to shot of the interviewer, listening and reacting to the subject.
POV (point of view shot): Shows a view from the subjects prospective.
Weather Shot: The subject is the weather, can be used for other purposes maybe background, for graphics.
VWS (very wide shot): The subject is barely visible, but the emphasis is still on placing him in his environment.
WS (wide shot): The subject takes up the full frame, or at least as much as is possible.
MS (mid Shot): Shows some part of the subject in more detail, whilst still giving an impression of the whole subject.
MCU (medium close up): This is half way between MS and CU.
CU (close up): A certain feature or part of the subject takes up the whole frame.
ECU (extreme close up): The ECU gets very close in and shows extreme detail.
Cut in: Shows some other part of the subject in detail.
CA (cut away): A shot of something other than the subject.
Two Shot: A shot of two people, framed like a mid shot.
OSS (over the shoulder shot): Looking from behind a person as the subject.
Noddy Shot: Usually referes to shot of the interviewer, listening and reacting to the subject.
POV (point of view shot): Shows a view from the subjects prospective.
Weather Shot: The subject is the weather, can be used for other purposes maybe background, for graphics.
Research- Rule Of Thirds.
In film, the rule of thirds is a concept in which the frame is divided up into nine sections, these sections are imaginary. This creates reference points which act as guides for framing a shot.
In most shots of people, the main line of interest is going straight through the eyes. The eyes are normally positioned 1/3 down the frame. However this really depends of the type of shot and if its actually possible to place the characters eyes like this.
The intersection of the two lines is sometimes called the 'power point' or 'crash point'. Points of interest in the shot dont actually have to touch these lines to take advantage of the rule of thirds.
In most shots of people, the main line of interest is going straight through the eyes. The eyes are normally positioned 1/3 down the frame. However this really depends of the type of shot and if its actually possible to place the characters eyes like this.
The intersection of the two lines is sometimes called the 'power point' or 'crash point'. Points of interest in the shot dont actually have to touch these lines to take advantage of the rule of thirds.
Tuesday, 4 October 2011
What is 'Genre'?
Before thinking about what film, television, play or book I want to endeavour in I always think about the genre. Genre is a way of catagorising something, through what the main theme is. For example we have 'triller' as a genre and ' romantic comedy'.
In most cases I can tell immediately what the genre is just by looking at the sleeve, cover, program, whatever. The marketing crew always try and make sure that the genre is fairly apparant, this is so that the comsumer easily knows what genre to expect without reading to far into it. Also, when film makers are creating a film its always pretty imperative that they have a indefinate preconceived idea of genre, so they know what audience to aim their film at.
In most cases I can tell immediately what the genre is just by looking at the sleeve, cover, program, whatever. The marketing crew always try and make sure that the genre is fairly apparant, this is so that the comsumer easily knows what genre to expect without reading to far into it. Also, when film makers are creating a film its always pretty imperative that they have a indefinate preconceived idea of genre, so they know what audience to aim their film at.
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